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How to Work With Clay Part 1: Hand Prints Make My Day!

by Donna Perugini
(Washington State)

Hand Print in White Clay

Hand Print in White Clay

Have you ever thought about hand prints? No, not on the windows, mirrors, etc. But the kind of hand prints that you can immortalize. (I have been known to immortalize my baby grandchild's kiss marks on the sliding glass doors for great lengths of time) Hand prints can be baby, child, mom, dad, grandparents, dog, cat, and even a newborn colts.

Here are some tips for a hand print in clay. Either go to a potter (someone who works in clay) a school or look up a pottery supply house in your vicinity. You'll want to find "low-fire" clay (usually available in a 25 # bag.) Clay comes in white or terra-cotta (red). You think you won't need that much, but once you get started doing this you'll use it up quickly! When you find the clay, ask if they will fire items for you. If they won't, then find a "paint-a-plate-yourself" business. They do low firing in their kilns and may let you put your dried clay item in their kiln. (Never wet or it explodes on everything inside their kiln. Not good for your relationship with them).

You'll need a rolling-pin or something to flatten the clay like you would dough. Also buy some "duck cloth" at a fabric store, about one yard. Lay down your duck cloth on a flat surface, use a 2 foot piece of dental floss to cut off the end of the 25 # block of clay and cut it at 3/4" thick. Close the bag back up so the clay does not dry out. Roll out the clay to 1/2" thick. If you see a raised up small "bubble" in the rolled out clay, pop it with a pin, push the air out gently and smooth it. Don't let the clay sit for more than 5 minutes on the duck cloth until you put a print into it as it will be harder to get a good print.

Put the hand on the piece of clay and press each finger and the heel of the hand deep into the clay. If you're doing this with a newborn, be careful not to "break the baby." If you can get the baby's hand while they're asleep or just waking up, it's easier. Of course another person will be holding the baby while you guide the hand on the clay. (Make sure the hand print is NOT on the edge of the clay as it will develop a crack there).

Clean up the rough edges of the clay, or make it a shape around the hand print with a cutting tool (knife) IE: a heart with the hand of a baby in it and enough room to write around the hand print. If the print is not what you want, cut a new piece. You'll have a better chance at no bubbles in the clay. (Bubbles also blow up causing "carnage" in the kiln). The discarded clay can be kept in the bag with the wet clay block. Lay it on top and don't smash it into the block. Close the bag.

Take the time to write the name of the person and date on the front of the print with a dull pointed pencil on the clay. Don't push too hard on the pencil. You just want it deep enough to read after the clay is fired. Put two holes through the top to pull a ribbon through to hang. Make sure the holes are NOT on the edge of the clay as it will develop a crack there.

Smooth the edges of the clay with your finger, or a damp paper towel. Let the clay dry on the duck cloth or a cookie sheet, not in direct sunlight (it might crack while drying too fast). It will take at least two weeks to be sure it is dry. When dry it is brittle and can break. Handle it carefully. Take it to the place that will fire for you and tell them it is low fire clay. They'll call you when it's done! Then you can paint it with acrylic paints and seal with acrylic sealer, both found at a craft store. I suggest you do not paint inside the hand print.

I love doing this for newborns. Of course, once you do the baby, the sister or brother wants their print done too. It's a great way to just love on someone by doing a hand print for them.

The hand print you've just made will last forever. That's not the greatest thing about it though. The greatest part is you can make a reverse print from the fired hand print if you did not paint inside the print. Next time we'll cover making a reverse print.

If you have any question, or would like to see this as a video, please leave me a comment and I'll answer you. I'd love to hear about your experiences with this project. Follow me on Twitter as DonnaPerugini and Facebook Pages as Donna Perugini Books.

Comments for
How to Work With Clay Part 1: Hand Prints Make My Day!

Click here to add your own comments

Apr 29, 2010
I have a question..
by: emily

Dear Kelly,

HI, I m Emily from Hong kong and I live in Korea now. I've just read your passage about hand impression on clay and find it really helpful!

I'd like to know more details about the clay. What is the meaning of #25? Must it be a low-fire clay? What about high-fire clay?

Thank you so much for time!

Best,
Emily
emilynghoyyan@hotmail.com

Apr 29, 2010
Answering Clay Questions for Handprints
by: Donna Perugini

Hello, Emily,
I'm glad you found the clay hand prints information helpful.

When I put in 25#, it just means 25 pounds of clay. This is the way it is sold in the United States where I purchase clay. If you know a potter, or you know of a school that teaches ceramics/pottery, then you might be able to purchase a smaller amount.

You can use low fire or high fire clay. It is called cone 04 to 06 and up to cone 1 for low fire and cone 2 to cone 10 and higher for high fire. If you get the clay from someone who has a kiln to fire the handprints, ask them how high they fire to. Most potters stay in one firing range, either low or high firing. It depends on their kiln. Some kilns only go to cone 6, but you can also purchase a kiln that goes to cone 10. Never fire low fire clay to a high fire cone. The clay will get to a point where it melts to the kiln shelf and you'll be purchasing the owner of the kiln a new shelf.

You cannot mix the two clays together, as in low and high fire put together for making a handprint. Low fire clay in high fire clay will cause numerous problems such as the clay exploding in the kiln during firing. Even small amounts of low fire clay that accidentally get into high fire clay cause bumps, or cracked open bumps, to show up in the fired piece.

Always keep lowfire clay away from high fire clay. Keep your duck cloth that you roll the clay out on just for low fire clay or just for high fire clay...you don't want any surprises during firing! It helps to mark each cloth 'low fire or high fire'.

The people you buy the clay from can help you a lot by explaining more to you. Don't be shy in asking them questions. I'll also be happy to answer anymore questions you have!

Send photos jpegs of how your project turned out...Kelly and I would love to see them!

Donna Perugini

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